MASONIC LIFE

Being an Upright Man in an Upside-Down World

In a world that often feels upside-down, where division is currency and outrage is a daily expectation, the idea of being an upright man may seem almost old-fashioned. But within Freemasonry, uprightness is not just a moral suggestion; it is a cornerstone. The Craft teaches that a man’s character is measured not by the noise of his opinions, but by the steadiness of his actions. In the swirling currents of modern political and religious extremism, these lessons are more important than ever.

Freemasonry asks every initiate one question that echoes through every Lodge: What kind of man will you choose to be? Not what party you support, what faith you follow, or what ideology you prefer, but what virtues you will embody when confronted with conflict, fear, and uncertainty.

In an age where social media amplifies hostility and public discourse rewards the loudest voice rather than the wisest, Masonry offers an ancient but deeply relevant antidote: the pursuit of balance, tolerance, and Brotherly Love. The idea of being “upright” is symbolized in the Mason’s Plumb Line, a reminder to stand straight, morally and spiritually, no matter how skewed the world around us becomes.

This uprightness is not passive. It is an active, daily discipline. It means questioning our own biases before judging others. It means resisting the seductive pull of extreme rhetoric, even when it flatters our emotions or validates our frustrations. It means responding to hatred not with silence, but with dignity.

Freemasonry provides Brotherhood precisely for this purpose. The Lodge becomes a refuge where men of vastly different backgrounds meet on the Level, without fear of ridicule or retaliation for their beliefs. In a world aggressively sorted into “us” and “them,” a Lodge demonstrates that harmony is not only possible—it is essential. Brotherhood does not erase differences; instead, it elevates the virtues that transcend them: integrity, charity, justice, temperance.

Masonic principles challenge the notion that disagreement must be destructive. A true Mason learns to listen, to seek common ground, and to engage without malice. He does not confuse firmness of belief with intolerance, nor does he surrender his convictions simply to avoid discomfort. Instead, he moves through the world with measured thought, guided by the Square and Compasses — the Working Tools that remind him to Square his actions with virtue and circumscribe his passions before they overtake him.

In a free society, where political and religious extremes can blur the line between conviction and fanaticism, this discipline becomes a form of resistance. A Mason resists the temptation to dehumanize opponents. He resists the urge to treat complex issues as simple binaries. He resists the pressure to meet anger with more anger. Uprightness becomes not just a moral stance but a stabilizing force.

The Craft also teaches that no man must stand alone. Brotherhood strengthens resolve. When the world becomes loud, divided, or hostile, a Mason can look to his Brothers for counsel, for perspective, and for the reminder that the Light is always present, even when obscured by the noise of the moment. This shared commitment allows Masons to walk through the world not as combatants in a cultural war, but as steady examples of civility and strength. Ultimately, an upright man in an upside-down world does not seek to dominate others, but to inspire them. He becomes a quiet but powerful statement of what humanity can look like when guided by principle rather than passion. In this way, Freemasonry remains not a relic of a bygone era but a timeless guide, helping men navigate the chaos with wisdom, courage, and Brotherly Love.

Written by Bro. Russell W. Dickson

Bro. Dickson is the Senior Deacon in St. Patrick’s Lodge 4 and is at labor in Collabergh-Radium 859, both in New York. He is a Royal Arch Mason in Hiram Union Chapter 53, and is a 32° Scottish Rite Mason at the Valley of Schenectady, where he serves as Senior Warden of Sigma Council Princes of Jerusalem.

Samuel Lloyd Kinsey