MASONIC RITUAL

THE APRON PRESENTATION

 

As Masons, we are well acquainted with the frequent use of symbolism, allegory and myth, not only to give substance to our ritual, but to exemplify, in tangible ways, the many abstract moral lessons so pertinent to the practice and philosophy of our Craft. We are told as we travel in search of Light that all the tools and trappings by which we are surrounded while in Lodge have practical uses when in the hands of our operative Brothers, but that we, as Free and Accepted Masons, are taught to use them for more noble and glorious purposes. Indeed, our ritual is so rich, our traditions so deep, that one could be forgiven for thinking that the founders of our Order created our history and usages from a marriage of thin air, operative experiences and, of course, The Holy Bible, from which our Brotherhood draws so much that is vital to our labor.
But, if we pay strict attention to the very rituals we cherish, we realize that its authors have always known full well that they existed within the framework of a larger, more material world, and used comparison and contrast to help us fix our place within it. One case where this is true is within the dialogue of one of our most revered and important sections of ritual: the Apron Presentation. During the course of that presentation, many references are made to aspects of history which existed outside of our Masonic world, and I’d like to examine one of them.

We are told, in the first paragraph, that the apron, as a symbol, is “more ancient than the Golden Fleece or Roman Eagle”. To what do these references allude?

Many of us are most familiar with the Golden Fleece as a result of the movies, and perhaps to a lesser extent from studying mythology in school. The origin of the fleece is, in itself, quite interesting. In mythology, the god Poseidon turned a nymph named Theophane into a sheep to hide her from her other suitors. He did this so that he alone, in his primitive Avatar form of a ram, could have sex with her. Their union resulted in a magical, winged ram whose fleece was golden. Later, when the spirit of queen Nephele learned that her husband, King Athamas, planned to sacrifice their children to stop a drought, she prayed that Poseidon would send the ram to fly them to safety. Sadly, her daughter, whose name was Helle, fell into the sea in the strait that is known, even until today, as the Hellespont! Her brother, Phraxis, arrived safely in the land then known as Colchis and sacrificed the ram to its father Poseidon. Poseidon commemorated the event by placing the ram in the sky as the constellation Ares, and Phraxis hung the golden hide in a tree as a token of gratitude and a symbol of kingship. The story of Jason and the Argonauts has been a popular theme in Hollywood, as it is a heroic tale of adventure and danger. But how may we claim that our apron is older than a yarn that is probably a pure myth? Interestingly, the Greek word “mythos” means “word” or “true narrative”. So, the myth, to the Greeks, was the actual truth, as they knew it, and as well as the recording methods of the day permitted.

As it happens, a team of geologists led by Avtandil Okrostvaridze from Ilia State University in formerly Soviet Georgia has found evidence to suggest that this was an actual event! Based on the examination of both artifacts and the archeological record, these researchers believe that an expedition traveled, perhaps from Thessaloniki in Greece to the ancient kingdom of Colchis on the shores of the Black Sea. In what is now modern-day Georgia and Turkey, they went to learn the method of extracting gold sand from river and stream beds.

The evidence suggests that it was the Colchins who developed the method of sluicing the gold-bearing sediment from the riverbed across the skin of a ram or lamb with the fleece side upward. While the rushing water would carry away the sand and other lighter particles, the heavy gold dust would settle and become trapped among the curly wool fibers. This method is still in use today among many recreational prospectors.

Much study has been done of this process, called “selective attachment” or “beneficiation”, where it turns out, many forces are at work, including gravity, the static charge on the fleece and the natural stickiness caused by the lanolin and other oils in the sheep’s hide. Today’s miners use burlap or synthetic mats called “miner’s moss” engineered to the purpose, and while they are easier to empty of their golden harvest, they are no more efficient in the actual collection process than their Colchin predecessor. And so, our historical Jason’s voyage may have been not so much to capture some magical treasure of the Gods, as it was to learn the method used by the Colchins to readily collect gold without the dangers and uncertainty of mining. Since countries, even today, still jealously guard technologies that give them commercial or military advantages, attempting to acquire this knowledge may well have been just as dangerous as the brass bulls and sleeping dragon our mythical Jason needed to triumph over in order to claim his prize. The archeological record would indicate this as happening approximately 3,000 years ago. Since the biblical record tells us that the Temple was built in about 970 BCE, and we might assume that the system of aprons as identifying badges for the different bands of workmen would already have been in use, our claim of our apron tradition being older than the Fleece would be correct, even if only marginally.

Masonically, it is interesting to note that, in this passage of ritual, we compare our lambskin to what is actually yet another lambskin. And although that other one may have been heavy laden with its golden cargo, in our traditions, our simple, white version is surely held as the more precious of the two.

Written by: WB Marty Moscicki Raised at Elbe-Garfield-Goelet Lodge No. 889 in the 7th Manhattan District. Affiliated with Old Town Lodge #908 and had the privilege of serving as its W:.Master in 2014-2015. Bro. Moscicki currently resides in East Quogue, NY and Delray Beach, FL
Samuel Lloyd Kinsey