Beyond the Quarry: Unpacking the “Defense of the Ruffians”

On this episode of the Craftsman Online Podcast, host RWB Michael Arce sits down with RWB Don Gorham, Grand Tiler of the Grand Lodge of New York, to discuss “The Defense of the Ruffians“, a thought-provoking one-act play by Bro. Thomas B. Davis. This discussion offers a unique perspective on the motivations of the “ruffians” in Masonic lore, moving beyond traditional interpretations to explore deeper psychological and moral dimensions.

Bro. Gorham, a close friend and Brother, shared his long-standing interest in the play. His journey with the play began through a fellow Brother, Major West, in his district, the Noble 9th Manhattan. The play, while not canonical Masonic ritual, offers an “interesting look into the background of especially Jubalum.”

Bro. Arce highlighted that the play is not part of standard Masonic work or ritual, making it openly discussable without revealing any secrets. Instead, it enriches the understanding of the Hiramic Legend by exploring the inner world of Jubalum, particularly his internal dialogue with his conscience. Bro. Gorham finds this conversation “actually really familiar,” drawing parallels to his own daily introspection and personal growth. He sees Jubalum not just as a villain, but as an “exemplar of a person” we can find commonality in the ongoing work of self-improvement, even outside of Masonry.

The conversation also touches upon the broader implications of the play, particularly the concept of Justice. Bro. Gorham introduces two types: “distributive justice,” which Jubalum sought in terms of opportunity and reward, and “retributive justice,” the punishment for his wrongdoing. This dichotomy, he explains, “rings true in this play,” highlighting the tragic clash between perceived entitlement and deserved consequence.

Ultimately, “The Defense of the Ruffians” serves as a “cautionary tale” that delves into themes of perceived injustice, entitlement, and the consequences of unearned gain. Bro. Gorham encourages a deeper look into the play, suggesting it can inspire “a deeper look within our ritual and ourselves.” He believes Jubalum’s inability to correct himself stems from his self-centeredness and a lack of belief in anything beyond his own universe. This fascinating exploration of a non-canonical work provides a rich opportunity for Masons and non-Masons alike to ponder universal questions of morality, ambition, and the true meaning of deserving.

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