St. Patrick, Freemasonry & The Revolutionary War

St. Patrick, Freemasonry & The Revolutionary War

MASONIC HISTORY

St. Patrick, Freemasonry & The Revolutionary War

Brief history of St. Patrick and his Influence on  Freemasonry & The Revolutionary War

Maewyn Succat, Patrick’s given Roman name, was born to a wealthy family in the Roman Empire. The exact location of his birthplace, Bannavem Taburniae, is unknown, but it is believed to be “near the Western sea”, as described in his autobiography, “The Confessio”. Maewyn’s father was a Christian deacon and minor Roman official, his grandfather was a priest, and his sister is Saint Darerca of Ireland. It is undoubtedly that Patrick was raised in a Christian household, although there are differing accounts of his conversion to Christianity. Some sources suggest that he converted from paganism while he was a slave in Ireland, while a more likely scenario says that Maewyn was exposed to Christianity throughout his early childhood.

Living in isolation, deprived of food, and lacking proper clothing, Maewyn’s only company was his flock and his ever-growing faith in God. According to his writings in "The Confessio", he prayed as many as 100 times a day and 100 times at night. Six years into his enslavement, an angel appeared to him in a dream and said; “You have fasted well. Very soon you will return to your native country”. The angel instructed him to find a ship bound for the European continent, and Maewyn journeyed on foot for 200 miles through peat bogs and forests to reach a port. Despite being an escaped slave, he was able to convince the crew of a cargo ship to allow him passage.

When he was 16 years old, his village was raided by a band of Irish marauders and Maewyn was taken captive. During this time, the Roman Empire began to lose its power over its ever-expanding empire and such raids were becoming more common. Young boys like Maewyn were often taken to herd sheep and cattle, while girls were taken to work as servants, cooking and cleaning for the chieftains who owned them. Maewyn was taken to County Antrim in the north of Ireland, where he worked as a shepherd for a local chieftain on the slopes of Mount Slemish.

Living in isolation, deprived of food, and lacking proper clothing, Maewyn’s only company was his flock and his ever-growing faith in God. According to his writings in “The Confessio”, he prayed as many as 100 times a day and 100 times at night. Six years into his enslavement, an angel appeared to him in a dream and said; “You have fasted well. Very soon you will return to your native country”. The angel instructed him to find a ship bound for the European continent, and Maewyn journeyed on foot for 200 miles through peat bogs and forests to reach a port. Despite being an escaped slave, he was able to convince the crew of a cargo ship to allow him passage.

Upon arriving at the mainland, the ship and its crew became lost for several weeks in a land devoid of food. The crew grew skeptical of Maewyn’s faith and began to chastise him for his piety. They questioned why his God was not helping them in their dire state of hunger. To which Maewyn replied; “Turn in faith with all your hearts to the Lord my God, because nothing is impossible for Him”. Immediately after, a stampede of pigs appeared, providing ample food for the crew. This miraculous event led to Maewyn’s first converts.

Maewyn eventually returned home to his parents, but his religious visions did not stop. He heard a voice calling him; “We beg you, holy boy, to come and walk again among us”. He understood this to mean he was to return to Ireland to serve the people. In 418 AD, he was ordained as a Deacon and in 432 AD, he was consecrated as a Bishop and given the name Patricius or Naomh Pádraig in Gaelic.

With the knowledge of Ireland’s language and customs, his religious training, and his life experiences, Patricius was uniquely suited to convert and baptize the island’s Druid priests, chieftains, and aristocrats. He successfully converted thousands of individuals before his death on March 17, 461.

Since St. Patrick is Ireland’s patron saint, St. Patrick’s Day is considered a holy day of obligation for Christians in Ireland, who are expected to attend Church services. Historically, Irish Christians would attend church services and then go about their day. The priests were eager to remind them not to drink alcohol on such a sacred day. St. Patrick was relatively unknown outside of Ireland until March 17, 1737, when a group of over two dozen Presbyterians who had emigrated from Northern Ireland gathered to celebrate St. Patrick and formed the Charitable Irish Society to assist distressed Irishmen in America. The Charitable Irish Society still holds an annual dinner on St. Patrick’s Day to this day.

After that first charitable celebration, St. Patrick’s day remained relatively obscure and continued to simply be a Holy Day of Obligation. Until the Revolutionary War and Brother General George Washington needed to boost his troops’ spirits.

The connection between St. Patrick, the Revolution, and Freemasonry becomes clearer when considering the situation of the Continental Army at Morristown, NJ during the winter of 1779-1780. The Army was facing the coldest winter in recorded history, with 28 snowstorms from November 1779 until April 1780, burying the encampment under six feet of snow. The soldiers lived in basic log huts, slept on straw, and huddled together for warmth. The conditions made it difficult to deliver supplies or hunt forcing the men to go days without food, leading to a loss of morale. The soldiers were losing the battle without even waging war. In such dire conditions, a moral boost was desperately needed.
The Irish represented the largest immigrant group to arrive in the colonies in the 1700s, mainly Presbyterians from the northern Provence of Ulster. The first celebration of St. Patrick’s Day was in Boston in 1737, but it remained a quiet religious holiday for many years. The Scotch-Irish who immigrated in these early days were driven from their home by British oppression and had a strong rebellious spirit against the British Crown. One quarter to one half of the Continental Army were Irish born or of close ancestry. Most of the Generals were born in Ireland or had parents still living in Ireland.

Continental Army at Morristown, NJ

Brother General George Washington recognized the necessity of boosting morale among the Continental Army during the harsh winter. Brother Washington knowing the Irish heritage among many of his soldiers wanted to show solidarity with the “brave and generous” Irish people who were fighting for their own independence against the English, declared St. Patrick’s Day a holiday for his troops. This was the first day off they had in over a year, and it was a much-needed boost for morale. Although today’s St. Patrick’s Day celebrations are often festive and lively, Washington emphasized that he expected his troops to celebrate in a disciplined manner and warned that “the celebration of the day will not be attended with the least rioting or disorder.” Although the celebration may not have involved abundant food and drink, the troops did enjoy a hogshead of rum provided by their commander.

For those who are curious, a “hogshead” is about 63 US gallons. Let’s hope those troops had plenty.

Why Is St. Patrick’s Day Known For Festive Drinking?

St. Patrick’s Day is known for its festivities and of course, a little bit of drinking. But where did this association come from? Was St. Patrick himself a fan of a good pint? Probably but not quite the reason. The reason for this connection can be traced back to the mid-1800s, during the devastating potato famine in Ireland. In the face of tragedy, over a million people died and another million emigrated to countries like the US, Canada, Britain, Australia, and elsewhere around the world. Irish immigrants continued to emigrate to the United States for decades after the failure of Ireland’s potato crop in 1845. Leaving their homes was not easy but the promise of a better life and simply being able to sustain a living encouraged the Irish to think of better days to come in a new land.

As we know, early America was not the friendliest of places. Roads paved with gold, religious freedom, and a just and fair government were often replaced with poverty, prejudice, and corruption. The Irish felt firsthand how discrimination in young America impacted their lives. In a political response to the anti-immigrant sentiment from the nativist “Know-Nothings”, Irish Immigrants would take to the streets every St. Patrick’s Day to show their strength in numbers. They were not only making a political statement, but they were also celebrating their Irish heritage.

Their newfound “success” helped fuel the celebrations for St. Patrick and for simply being alive. The lamb and pork they used to eat in Ireland were now far too expensive, but the local Jewish corned beef proved a cheaper yet delicious substitute. Cheap cabbage, vegetables, and home-baked soda bread completed the meal that reminded them of home. The beer may or may not have been the black gold they had in Dublin, but it was still a means to celebrate such a Saintly man! With Lenten obligations lifted for St. Patrick’s Day, the Irish could properly raise a pint or six to Old Naomh Pádraig! Since America was known as “The Great Melting Pot” Irish Americans found themselves celebrating with the Polish, Italians, and all others, especially Catholics who continued to attend church services before the shenanigans of the day began.

As the 19th Century continued, St. Patrick’s Day was taking the world by storm with grand and festive celebrations held in cities of every country in the world in which the Irish settled. Meanwhile, in Ireland, it was just another dull (probably rainy) day – even the Guinness Brewery was closed. Fortunately, as the 20th Century carried on, things were starting to change! In 1961, the only place to legally enjoy a drink on St. Patrick’s Day in Dublin was the Royal Dublin Dog Show, which attracted record-setting “dog lovers” each year. Finally, in 1970, the Irish government lifted the ban on pub openings on St. Patrick’s Day, giving the country the opportunity to join in on the celebrations. And, in 1996, the multi-day St. Patrick’s Day Festival was launched in Dublin, adding even more excitement to the festivities. Today the celebration in honor of St. Paddy (NEVER St. Patty!) continues to grow. Visiting Dublin for St. Paddy’s Day is like a visit to New Orleans during Mardi Gras.

The tradition of celebrating on St. Patrick’s Day is not about drinking but a celebration of Irish pride and a time to come together with friends and family whether you are Irish or not and celebrate good fortune.

May love and laughter light your days,
and warm your heart and home.
May good and faithful friends be yours,
wherever you may roam.
May peace and plenty bless your world
with joy that long endures.
May all life’s passing seasons
bring the best to you and yours!
Sláinte!☘️

Happy St. Patrick's Day

Written by:
WB Todd M. Paterek is Worshipful Master, Lodge Education Officer, Northstar Coach, and Webmaster of Blazing Star Lodge #694 F&AM, East Aurora, New York.

Adolph Zukor

Adolph Zukor

MASONIC BIRTHDAY

Adolph Zukor

January 7, 1873: Hungarian-American film producer and co-founder of Paramount Pictures 

Adolph Zukor was a Hungarian American film producer and a co-founder of Paramount Pictures. Zukor was born on January 7, 1873 in Ricse, Hungary, then part of the Austro-Hungarian Empire. Both of his parents passed away by the time he was seven years old, when he moved in with his uncle Kalman Liebermann, who wanted his nephew to become a rabbi. Zukor instead served a three year apprenticeship in a family friends dry goods store. Zukor emigrated to the United States when he was 16 years old.

Soon after arriving in New York City in 1889, Zukor became an apprentice at a furrier. Within two years, he was a successful contract worker and accomplished designer. By 1893, he started his own fur business, soon after attending the Columbian Exposition in Chicago. The following year, at the age of 21, Zukor’s Novelty Fur Company had 25 employees in two locations in the U.S. By 1903, he was a wealthy young burgher, living in a spacious apartment in the upper class German-Jewish section of Manhatten at 111th St and 7th Avenue.

 

It was during this time when his cousin Max Goldstein asked Zukor for a financial loan to invest in a chain of movie theaters. Originally started by Mitchell Mark in Buffalo, the Vitascope Theater was a special attraction in the Ellicott Square Building since 1896 and was one of the first permanent, purpose-built movie theaters in the world. During a time that movie theaters were temporary attractions, lasting only days or weeks, Mark was the first American to have a distribution agreement with Pathé Films.

Zukor formed a partnership with Mitchell Mark and Morris Kohn, and the three opened the Automatic Vaudeville Company, a penny arcade on 14th Street. With additional funding from Marcus Loew, the founder of Lowe’s Theaters, they soon opened theaters in Philadelphia, Newark and Boston. The Famous Players Film Company was formed in 1912 by Zukor, later to be named the Famous Players-Lasky in 1916 when producer Jesse L. Lasky joined the company.

Advertising as “Famous Players in Famous Plays,” the company was the American distributor for the French film Les Amours de la reine Élisabeth starring Sarah Bernhardt. The following year he obtained the financial backing of the powerful New York City theatre impresarios the Frohman brothers, with an eye to introduce respected stage actors to the silver screen. Zukor purchased the armory on 26th Street and converted it into Chelsea Studios, a movie studio that is still used today.

Paramount Pictures Corporation was formed to distribute Famous Players-Lasky films, creating the first national distribution system. By 1919,  he built the Publix Theatres Corporation, a chain of nearly 2,000 screens and ran two production studios, one in Astoria, Queens and the other in Hollywood, eventually producing up to 60 films per year.

In 1933, Paramount Pictures went into receivership after almost collapsing at the start of the Great Depression. Zukor’s over-expansion of the studio was primarily to blame, but a bank-mandated group kept the studio intact. By 1936, Zukor was appointed chairman of the board and reorganized Paramount Pictures and steer the company out of bankruptcy. Zukor was made Chairman Emeritus in 1959, a position he kept until his death.

Brother Zukor was a member of Centennial Lodge No. 763 (now Munn Lodge No. 203) with fellow film producer J. Stuart Blackton. Zukor received a pin from the Grand Lodge of New York in recognition of 50 years of membership in the craft. In 1915, Zukor co-produced the film Are you a Mason? , based on the 1901 play by Leo Ditirchstein and starring John Barrymore as a young husband who pretends to join the Masons as an excuse to get out of the house. This film is now believed to be lost.

Brother Zukor passed away in 1976 at the age of 103.

1915 Movie Poster

Are you a Mason? movie poster, 1915. Produced by Adolph Zukor and Charles Frohman, the film is believed lost today.

Written by Wor. Bro. Ronald J. Seifried, DSA
Trustee Chairman and Historian, Jephtha Lodge No. 494 F. & A.M.
Area 1 Historian, Nassau and Suffolk Masonic Districts
Co-Editor, Craftsmen Online NY Masonic History column
32° Scottish Rite,  Valley of Rockville Centre
Companion of Asharokan Chapter No. 288, Royal Arch Masons
Member of Suffolk Council No. 76, Cryptic Masons
Author, “Long Island Freemasons,” Arcadia Publishing, 2020

Content is property of Craftsmen Online and cannot be used, copied, or quoted in any manner without the express, written permission of Craftsmen Online.

J. Stuart Blackton

J. Stuart Blackton

MASONIC BIRTHDAY

J. Stuart Blackton

January 5, 1875: Silent Era filmmaker and the father of American animation

James Stuart Blackton was a British-American film producer and director of the silent era. One of the pioneers of motion pictures, he co-founded Vitagraph Studios, a film studio that was the first to bring many classic plays and books to the screen. He was one of the first filmmakers to use the techniques of stop-motion and drawn animation and is considered the father of American animation.

Born on January 5, 1875, in Sheffield, Yorkshire, England, he emigrated with his family to the United States in 1885. Working as a reporter and illustrator for the New York Evening World, Blackton was sent to interview Thomas Edison, who showed off his early filmmaking tools in the Black Maria, a special cabin used for filmmaking. This writing assignment introduced Blackton to his lifelong obssession of filmmaking. It was in the Black Maria that Edison created a new film in front of the future filmmaker and convinced Blackton and his partner, magician Albert E. Smith into buying a print of this new film, as well as prints of nine other films, plus a Vitascope to show them to paying audiences.

Vitagraph Studios was founded by Blackton and  Smith in 1897 in Brooklyn, New York, as the American Vitagraph Company. By 1907, it was the most prolific American film production company, producing many famous silent films. The studio produced the first film adaptation of the novel Les Misérables in 1909 consisting of four reels, each released over the course of three months, making it one of the earliest known “film franchises.” The following year, Vitagraph released the five part serial The Life of Moses at almost 90 minutes in length, what many consider today as the “the first full lenght-feature film.” Vitagraph was purchased by Warner Bros. in 1925.

Animation

Blackton’s first film to feature “stop-action” animation is The Enchanted Drawing from 1900. In this film, Blackton himself sketches a face, a bottle of wine and a glass, a top hat, and a cigar on a large paper pad on a pedestal. Toward the end of the short film, he appears to remove the wine, glass, hat, and cigar as real objects, and the face appears to react. Stop-action is where the camera is stopped, a single change is made, and the camera is then started again.

In 1905, Blackton accidently transitioned to stop-motion animation. After reviewing a complex series of stop-action effects on a roof while steam from the building’s generator was billowing in the background, a new effect created by the steam puffs scooting across the screen was discovered. Most of Blackton’s use this effect was used to display ghosts or to have toys come to life,  have been lost.

One film that has survived is Humorous Phases of Funny Faces in 1906, a stop-motion short, combined with stick puppetry. Once again, Blackton is seen on camera (only his hand) and draws two faces on a chalkboard. The two faces they appear to come to life and engage in silly antics. Although the most of this short film uses live action effects instead of animation, it had a profound impact of animated films in the United States.

Too busy in running the day-to-day operations of Vitagraph, Blackton retired from directing films in 1909.  His  animation experiments,  in his opinion, were juvenile and received no mention in his unpublished autobiography.

Masonic Career

Blackton was a member of Centennial Lodge No. 763 in New York, and was part of a group of New York Freemasons to form their own Masonic Temple in Hollywood. Named after Pacific Lodge F. & A.M. No. 233 in New York, the 233 Club had an exclusive membership of entertainment and theatrical brothers. Chartered on August 16, 1924, the group elected Edward Davis, former president of the National Vaudeville Association as President. The charter stated in part,  that a member must be “a Master Mason in good standing in any lodge in the world and a motion picture worker in any capacity.”

One of the 233 Club’s earliest public events was supporting the Shriners National Convention in Los Angeles on May 5, 1925, with a parade from the intersection of Hollywood Boulevard and Vine Street up Highland Avenue to the Hollywood Bowl.

Plans to construct a twelve-story clubhouse, providing auditorium, meeting, and social space, as well as apartments for “visiting Masons” never materialized due to lack of funds. By the club’s one year anniversary at the end of 1925, membership totaled 1233, and the celebrations included a fourteen-act vaudeville show performed by the brothers. The club’s popularity with the Hollywood masonic crowd soon counted Douglas Fairbanks and Harold Lloyd among its ranks. 

Later Life

In 1915, Blackton produced The Battle Cry of Peace, a propaganda film supporting the United States entry into World War I. Strongly supported by former President and Masonic brother Theodore Roosevelt, General Leonard Wood loaned Blackton an entire regiment of marines to use as extras.

Blackton lost most of his fortune in the Stock Market Crash of 1929, which forced him to file for bankruptcy in 1931. He spent his last years on the road, showing his old films and lecturing about the days of silent movies.

Blackton died August 13, 1941, a few days after he suffered a fractured skull after being hit by a car while crossing the street. But his passion for filmmaking never ceased; at the time of his death he was working for Hal Roach improving the color process backgrounds in motion pictures.

 

Written by Wor. Bro. Ronald J. Seifried, DSA
Trustee Chairman and Historian, Jephtha Lodge No. 494 F. & A.M.
Area 1 Historian, Nassau and Suffolk Masonic Districts
Co-Editor, Craftsmen Online NY Masonic History column
32° Scottish Rite,  Valley of Rockville Centre
Companion of Asharokan Chapter No. 288, Royal Arch Masons
Member of Suffolk Council No. 76, Cryptic Masons
Author, “Long Island Freemasons,” Arcadia Publishing, 2020

Content is property of Craftsmen Online and cannot be used, copied, or quoted in any manner without the express, written permission of Craftsmen Online.