Fez Friday, Bermuda Peppercorn Ceremony

Fez Friday, Bermuda Peppercorn Ceremony

FUN & FELLOWSHIP

Fez Friday,

Mecca Shriners Bermuda Shrine Club

Bermuda Peppercorn Annual Ceremony

The Bermuda Peppercorn Annual Ceremony is a long-standing tradition that holds a special place in the history of Bermuda. Every year, on the first day of the new legislative session, the Governor of Bermuda grants a peppercorn rent to the Master of the Lodge in recognition of the custom that started in 1816. This celebration is a ceremony that attracts many participants, including members of the Bermuda Shrine Club.
Mecca
Bermuda is an island in the North Atlantic Ocean with a distinct blend of British, American and West Indian cultures and traditions. The Bermuda Peppercorn Annual Ceremony is a symbol of the strong ties between the successive Governors of Bermuda and the Masters of the Lodge. The history of this ceremony dates back to 1816 when the then Governor of Bermuda, Sir William Smith, granted the Master of the Lodge, Reverend William Jones, use of the State House for a yearly rent of one peppercorn. Today, the Master of the Lodge continues to lease the State House for the token rent of one peppercorn.
Peppercorn Grant 1816

2014 Bermuda Peppercorn Ceremony

One Peppercorn Token
The ceremony is performed in April on the first day of the new legislative session where the Master of the Lodge would traditionally hand over a single peppercorn to the Governor of Bermuda as a symbolic rent payment. This custom continues every year and the ceremony includes a formal parade by Freemasons from various Lodges under the jurisdiction of the United Grand Lodge of England as well as the Bermuda Shrine Club.
The Bermuda Shrine Club members, all of whom are also Freemasons, play an active role in the Bermuda Peppercorn Annual Ceremony by organizing and participating in the parade. The Bermuda Shrine Club is an organization dedicated to serving children and supporting their families, whether they are sick, injured and in need of assistance. Shriners International is a philanthropic organization that is focused on helping children around the world through Shriners Children’s. Members of the Bermuda Shrine Club volunteer their time and resources to raise funds and provide support for the Shriners Hospital for Children in Montreal and the Massachusetts General Hospital for Children.

During the event, members of the Bermuda Shrine Club participate as parade marshals, providing assistance with crowd control and logistics. They also participate in the ceremony by carrying the ceremonial sword and providing a guard of honor. The Bermuda Shrine Club’s involvement in the event emphasizes its commitment to supporting and preserving Bermuda’s cultural heritage.

The Bermuda Peppercorn Annual Ceremony and the Bermuda Shrine Club share a common goal of helping children in need. On one hand, this ceremony demonstrates the importance of tradition, history and the preservation of heritage. On the other hand, the Bermuda Shrine Club’s focus on helping children looks towards the future. The Peppercorn Annual Ceremony reinforces the importance of historical and cultural preservation while the charity work done by the Shrine Club reinforces the values of care and compassion for others.

In conclusion, the Bermuda Peppercorn Annual Ceremony planners and the Bermuda Shrine Club are two organizations that share a deep sense of history and community service. Both organizations are a testament to the values held dear by the Bermudian people and serve as a source of inspiration for future generations.

For more information on the Bermuda Peppercorn Annual Ceremony and upcoming events, visit the Lodge St. George No. 200 G.R.S. or the Mecca Shriners.

P.P Ill. Sir Dominic Falcone
Mecca Shriners 2013
Eric Morabito

Eclipse

Eclipse

MASONIC ART

Eclipse

by Bro. Ari Roussimoff

Painted Knights Templar Apron
This painting is titled “Eclipse” and hails from 2008. It is the middle piece of my three-painting Masonic triptych “Parable of Light and Dark”. On the left side is “Foundations” and on the Right is “Rebirth”. All three together tell one evolving and comprehensive story. In “Foundations” we see the growth of Freemasonry through time. From its legendary beginnings the composition proceeds upwards to the Medieval era with its chivalry and cathedrals.

Image: “Eclipse”, by Bro. Ari Roussimoff

At the top are prominent Masonic figures of literature, music and philosophy; Mozart, Pushkin, Mark Twain, Oscar Wilde, Voltaire. The middle painting in this group is “Eclipse” (described below). The last painting is “Rebirth” where the ruins are left behind and building finally resumes without interruption. Hiram Abiff and King Solomon appear in all three paintings. The entire triptych “Parable of Light and Dark” was prominently exhibited for eight years at the Chancellor Robert R. Livingston Masonic Library & Museum of the Grand Lodge of Free & Accepted Masons of New York.
Please note that I seldom explain any symbolic meanings in my work. But in the case of this painting I find it helpful to viewers. Eclipse is about individuals who search for light even under the most unfortunate circumstances. They take a unique journey within themselves, a journey that will eventually benefit all humankind.
Overseeing all is the All Seeing Eye of God, Creator of the universe who is the final and ultimate judge of everyone and everything. Troubles lurk below. Time may be running out. Attempts at escape can be futile. Destruction, deformity and death are a result of mindlessness, immorality and idolatry. There are tears and mourning amidst chaos and pandemonium as the earth in revenge, swallows up its inhabitants. But some never learn. Mobs of hysterical fanatics follow false Idols in the form of sweet talking demagogues who enrich themselves by promising empathy, reward, power and glory. The obliteration of history, beauty, compassion and righteousness becomes the result. Whatever is beautiful and constructive they destroy.
Yet amidst the mayhem is Melchizedek from the Book of Genesis. He has two sets of eyes. One pair belongs to the heart and soul. The other pair belongs to the mind. All four together constitute spirituality and wisdom. Melchizedek is of the centuries. He blesses the righteous. Facing in the direction of the light is the Master of a lodge. Beside him are men and women who convey hope, love, beauty, spirituality, art and philosophy. The tattooed man is prepared to do labour. A group of newly made Brothers envision a brighter future ahead while a sympathetic Jester accompanies their vision by playing a warm Masonic melody on his violin. Standing in the light and beside the altar with the Holy Bible on it are King Solomon and Hiram Abiff.

Written by Bro. Ari Roussimoff
www.Roussimoff.com
Consolidated Lodge #31 F. & A.M.
Manhattan, New York

Bro Ari Roussimoff
Masonic ritual – Attending at the Altar

Masonic ritual – Attending at the Altar

MASONIC RITUAL

Attending at the Altar

MASONIC RITUAL EXPLAINED BY THE CHAIRMAN OF THE CUSTODIANS OF THE WORK

Is the Senior Deacon the only Brother allowed to touch the Square and Compasses?

“Attending at the Altar” is not among the enumerated duties of the Senior Deacon. Rather, our Ritual assigns this work to the Senior Deacon because he is conveniently close to both the Altar and the Worshipful Master. This is no basis to assert that the Senior Deacon has exclusive provenance over the Altar, however, and it is a prerogative of the Worshipful Master to direct or authorize any Brother to perform any work in the Lodge.

Response provided by RW Samuel Lloyd Kinsey
Chairman, Custodians of the Work, Grand Lodge of New York

Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.
Masonic Ritual – The Master’s Carpet

Masonic Ritual – The Master’s Carpet

MASONIC RITUAL

The “Master’s Carpet”

MASONIC RITUAL EXPLAINED BY THE CHAIRMAN OF THE CUSTODIANS OF THE WORK

Why is it called the “Master’s Carpet”?

The short answer is that the space between the Altar and the East should not be called the Master’s Carpet. The medium answer would direct your attention to the Glossary entry in the Ritual book.

The long answer begins with the observation that the words are drawn from “the three steps usually delineated upon the Master’s Carpet” referenced in the Third Degree lecture. But to provide the proper context, we have to journey a bit further back in Masonic history.

In the early days of Speculative Masonry, the “making” portion of the Rituals would often be performed in the back room of a tavern where the symbols of the Degree were drawn on the clay tiled floor using chalk and charcoal, then washed away at the end of the evening. As time wore on, Masons opted for a more durable medium and began to display the symbolic designs on a reusable painted board set up on a pair of trestles. This tradition, in turn, gradually evolved into the use of reusable floorcloths—also known as carpets—displaying the Degree symbols. There were different floorcloths for different Degrees, and in this case the “Master’s Carpet” refers to a floorcloth illustrated with the symbols of Master Mason. This is evidenced by the word “delineated,” which means “represented with drawn or painted lines.”

We don’t have a drawing of three steps on the floors of our Lodge rooms, but illustrations dating to the time this language was added to the lecture do include a depiction of three steps. Our Masonic tradition has evolved away from illustrated floorcloths—just as it has evolved away from chalk and charcoal drawings and illustrated trestleboards—but the history continues to be preserved in our Ritual as an “Easter egg” for those who seek it out. Meanwhile, the proper Masonic term for the space between the Altar and the East is . . . “the space between the Altar and the East.”

Response provided by RW Samuel Lloyd Kinsey
Chairman, Custodians of the Work, Grand Lodge of New York

Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.
Masonic ritual – Communicating the Password

Masonic ritual – Communicating the Password

MASONIC RITUAL

Communicating the Password

MASONIC RITUAL EXPLAINED BY THE CHAIRMAN OF THE CUSTODIANS OF THE WORK

Why do the Deacons come to the Sign of Fidelity before communicating the word/password to the Master?

Although the Deacons are acting under direction of the Senior Warden, they still need the Master’s permission to ascend his station in the East. It is therefore necessary that they pause and come to the Sign of Fidelity because they are addressing an officer of superior rank. Even though these communications between the Master and the Deacons are silent, they still occur.

Response provided by RW Samuel Lloyd Kinsey
Chairman, Custodians of the Work, Grand Lodge of New York

Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.