Why Do Masons Wear Aprons

Why Do Masons Wear Aprons

MASONIC RITUAL

On the Nature of Ritual

MASONIC RITUAL EXPLAINED BY THE CHAIRMAN OF THE CUSTODIANS OF THE WORK

Why Do Masons Wear Aprons?

Aprons of one kind or another have been worn for centuries to protect bodies from injury and clothing from being soiled with the by-products of the artisan’s work. Freemasons today wear Aprons—most commonly in the familiar rectangular shape with a triangular flap—for symbolic reasons, as well as to connect with our traditional past, and there is no doubt that the Freemason’s Apron evolved from the working aprons worn by European craftsmen.

Medieval working aprons were commonly fashioned from the tanned leather skin of an appropriately-sized animal, most likely a sheep, and the whole hide was used with minimal trimming. During these early times, the artisan’s apron was therefore worn as a full skin extending from chest to ankles. The fall was typically held up by means of a leather thong around the wearer’s neck, and the apron was fastened around the back using a strip of leather attached at the forelegs on either side. If the artisan did not wish to have his chest covered, the fall was allowed to hang forward, creating the familiar apron flap.

This somewhat shapeless affair sufficed for many centuries, although refinements gradually began to appear. The simple tanned hides were increasingly trimmed and finished, and different kinds of artisans began to modify their aprons to suit their needs. For example, a blacksmith would still want full protection from chest to ankles whereas a wright (carpenter) might prefer a short apron that favored mobility. By the late seventeenth century, a typical stoneworker would have worn a full apron extending to the knees, with a fall in the front. There also began to appear buttonholes at the tip of the fall so that the flap could be turned up and secured to a button on the wearer’s coat or waistcoat when needed to protect the clothing.

Early speculative Aprons at the beginning of the eighteenth century were much the same as their operative counterparts, as reflected in engravings of the period: full, long and with a fall in the front. Gradually, these speculative Aprons became smaller and more refined over the course of the century. The fall began to be trimmed to a triangular or semicircular flap, or removed altogether, and the bottom of the Apron began to be squared off or cut to a rounded shape. By the middle of the century, speculative Masons were decorating the edges of their Aprons with colored ribbon and illustrating them with elaborate depictions of symbolic designs, and the Apron continued to evolve further from a working man’s covering into a purely symbolic adornment.

And that’s what brings us to today.

Response provided by RW Samuel Lloyd Kinsey
Chairman, Custodians of the Work, Grand Lodge of New York

Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.
Samuel Lloyd Kinsey

Wallkill Valley Cemetery

Wallkill Valley Cemetery

MASONIC HISTORY

Wallkill Valley Cemetery

Walden, New York

Situated a quarter of a mile east of Walden, New York lies the picturesque forty-acre grounds of Wallkill Valley Cemetery. Featuring a prominent setting along Route 52, its location proved ideal from the outset, resting on one of the principal thoroughfares leading to Newburgh and allowing convenient access by way of horse-drawn carriage, later by electric trolley, and eventually by motor-driven vehicles.

The many knolls of the historic grounds offer sweeping views of the Shawangunk Mountains to the West, and the Catskill Mountains to the distant North. Eastward could be traced the Hudson River and the line of Green Mountains with their most commanding summits. To the South, a charming pastoral view of the Wallkill Valley, where situated lie the many dairy farms of Orange County.

The cemetery was incorporated in 1865 under founder James Todd and designed under the auspices of Downing Vaux of New York City. Born in 1856, and named after his father’s mentor, Andrew Jackson Downing, Vaux emerged as a notable figure in American landscape and architectural design. His work included projects such as Riverside Drive in Manhattan, Hackley School in Tarrytown, and the stately Wilderstein mansion, home to four generations of the distinguished Suckley family in Rhinebeck.

The cemetery is noted for its connections to local Civil War-era history and prominent regional figures. Among those interred is Charles H. Winfield (1822–1888), a respected lawyer, district attorney, and United States Congressman, who died suddenly after collapsing while addressing a group of children from the pulpit of the Reformed Church in Walden. Also laid to rest at Wallkill Valley Cemetery is Samuel E. Wright (1946–2021), who’s recognized for providing the voiceover of Sebastian in Disney’s “The Little Mermaid.” Today, Wallkill Valley Cemetery is managed by a Superintendent and a Board of Trustees, who oversee the grounds, help raise money for improvements, such as new trees, shrubs, and roadways.

At the time of its establishment, many members of the cemetery’s original board were Freemasons of Wallkill Lodge No. 627, F. & A.M. In the years that followed, the following Masons served with distinction as officers and trustees of the cemetery.

 

  • Brother Thomas W. Bradley (1844-1920), President of the New York Knife Company, President of the Walden National Bank, and a United States Congressman, became a Freemason in 1871, and served as a Trustee of the Cemetery.
  • Brother Albert S. Embler (1870-1941), an attorney, Director of the Wallkill Valley Farmers Association, Secretary of the Walden Board of Education, and President of the Walden Savings Bank, joined Wallkill Lodge in 1899 and served the Cemetery as its Secretary.
  • Brother Irving H. Loughran (1855-1911), an attorney and the Secretary and Director of Walden’s Schrade Cutlery Company, was raised to Master Mason in 1887 and served as Secretary of the Cemetery.
  • Brother Joseph Rowland (1849-1912), Vice President of the New York Knife Company and a Director of the Walden Savings Bank, joined the Craft in 1874 and is likewise recorded as a Trustee of the Cemetery.
  • Brother Hiram B. Wooster (1851-1925), owner and operator of Walden’s garment-manufacturing business, the Wooster Manufacturing Company, became a Freemason in 1900 and later served the Cemetery as both Treasurer and Trustee.

Today, Wallkill Valley Cemetery stands as the final resting place of more than forty members of Wallkill Lodge No. 627, their lives and legacies marked by the imposing monuments that rise among its paths. Among them are Brother Alexander Kirk Rider (1820–1893), the accomplished inventor of the historic hot-air engine model, and Brother John Chamber Scofield (1831–1890), who served as President of the Village of Walden in 1880 and later as Director of the Wallkill Valley Railroad. Together, their memorials, like so many others here, quietly testify to the Masonic Lodge’s lasting influence on the civic, industrial, and fraternal life of the Wallkill Valley.

To better organize and preserve the legacy of Wallkill Lodge’s membership, a virtual cemetery has been established on Find a Grave, with 118 identified members now recorded and memorialized.

I encourage lodge historians, and members alike, to review their membership rolls, to seek out, document, and learn the stories of our Brothers who have gone before us. Every Masonic Lodge possesses a remarkable history, one worthy of discovery, preservation, and pride.

By: W. Bro. Kyle A. Williams

Bro. Williams, a collector of New York Masonic history, is Past Master of Wallkill Lodge 627 in Walden, New York, where he also serves as Historian.

Samuel Lloyd Kinsey

Squaring the Lodge

Squaring the Lodge

MASONIC RITUAL

Squaring The Lodge

MASONIC RITUAL EXPLAINED BY THE CHAIRMAN OF THE CUSTODIANS OF THE WORK

One of my favorite things about Masonic Ritual and Practice is how it preserves customs that arose for specific purposes a few hundred years ago, and which purposes it no longer serves.

As you no doubt have noticed, Masons have a custom of walking around the outside of the Lodge room and making 90 degree turns whenever possible. This is something a few Brothers have a tendency to overdo by making a series of zigzag turns to navigate the diagonal pathway from the outer door into the “Working Area” of the Lodge room, which really isn’t necessary as the custom of squaring the Lodge applies only in the main space of the room.

So, you might ask: Does this practice have any particular symbolic significance? The answer is, “No.” The custom of walking around the outside of the Lodge room and making 90 degree turns arose during a time when a common practice among Masons was to deploy a reusable floorcloth or carpet decorated with the symbols of the Degree in the middle of the Lodge room. We started walking around the outside of the Lodge room for the entirely mundane reason that we didn’t want to soil the floorcloth with our dirty shoes. Then, as with many things in Masonry, when we stopped the regular use of floorcloths and the reason for the custom was no longer there, we continued the custom of squaring the Lodge anyway.

Response provided by RW Samuel Lloyd Kinsey
Chairman, Custodians of the Work, Grand Lodge of New York

Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.
Samuel Lloyd Kinsey

I Am The Point Within My Circle

I Am The Point Within My Circle

MASONIC RITUAL

I Am The Point Within My Circle

Masonic Education for Everyday Life

If you blinked, or let’s be honest, checked your phone during a First Degree; you could have easily missed The Point Within A Circle lesson during the lecture to our newly obligated Brother.

It’s okay. I’m here for you.

First, you may recognize this symbol: a circle, with a point, and two parrell lines. That’s it. The Point Within A Circle is also one of the oldest symbols, ever – not just in Freemasonry but in the history of humankid, old. And as an ancient symbol, it has numerous applications, interpretations, and meanings. Masonically speaking, we are told to use The Point Within A Circle as technique to prevent our selfish interests from overtaking our day, keeping our duty to God, fellow men and Masons in focus.

Okay, so how does this make me a “better man?” My simple suggestion would be to look for examples of this symbol manifesting in daily life. In your actions and relationships with others, are you putting yourself in the “center” of the moment? The concept of “intention” is very popular in self-improvement teachings today, but the idea is not new: measure what matters, determine your position, act in harmony with others, and strive to “close the circle” in daily interactions. In action words:

  • Thoughtful
  • Collaboration
  • Complete

Need another example? No problem. Think about the Closing of Lodge, specifically the moment when we are all gathered around the altar in a… circle. Yeah, go there mentally. What does the energy in the room feel like? The tone in the Master’s voice. What is your mindset when this moment takes place? We are literally “closing” our symbolic Lodge until the next time we meet to “open.” That feeling, imagine how you can make your engagements with others that meaningful. It’s possible. You just need to know your Point Within The Circle.

Action steps:

  • Using the symbolism of The Point Within A Circle, I am going to physically and emotionally attempt to be in the “center” of my interactions with others.
  • What makes my relationships matter more? Investing (by listening and actually caring) in their passions and concerns while balancing mine.
  • My circle serves as the boundaries for my actions. I need to make sure I consider how my behavior impacts interactions and outcomes. I should be thinking what I can do better to make even the smallest point, matter.
RW Michael Arce
Host, Craftsmen Online Podcast
Past Master, St. John’s Lodge No. 11, Washington, DC (2024)
Member, Mount Zion Lodge No. 311, Troy, NY
Note: This site is an excellent source of information about Freemasonry. While every effort has been made to provide accurate and up-to-date information about Masonic Ritual, please remember that a website is not a substitute for your jurisdiction’s Standard Work or Approved Ritual.
Samuel Lloyd Kinsey

Reflections on Healing and the Craft

Reflections on Healing and the Craft

Weathering the Soul

Reflections on Healing and the Craft

The recent snow storm covering a large majority of the United States reminded me of Johann Wolfgang von Goethe’s work on weather. The way in which condensing water into snow could hamper so much of modern life is a testament to the power nature holds within it. As a practicing physician, it reminded me how much my own practice and experiences with patients comes to confront both what can and cannot be controlled in the face of the minuscule forces within all of us. The enormity of such forces makes our existence as fragile as a blade of grass in the wind. Yet, as human beings, we continue to try understanding such forces despite the growing mystery our knowledge unfolds. It is this pursuit of understanding nature, including the weather, that made me reflect on Freemasonry and our individual pursuits to understand the greatest mystery of all — our own being. At the center of lies an even deeper question: Who do I want to be?

This question becomes central to my interactions. Each patient encounter is a dance and a small microcosm of process. Each act of healing feeds back into my own becoming. It is a terrifying and exhilarating process. The energy of transformation through the abyss and storms of sickness demands vulnerability. Each person, including myself, must travel their own checkered pavement. Only by understanding and experiencing it themselves can one find their way to the other side — the East.

However, I feel this question is like reading the weather of my own soul. It demands introspection, asking me to look inward and face the direction my thoughts and intentions are pointing. It calls me to attune to the divine center and recognize my place in a larger unfolding. Sometimes, admitting the limitations of my knowledge is the first step towards grasping the enormity of the situation to which I am now a part of with another human being. It entangles the outward movement of life with the inward journey, pulling me into the turbulence and stillness that shape growth through the shared journey with another patient and their illness.

For myself, this question declares itself through the healing process. Each patient travels on their own path to healing through which I can often only guide and assist. The process reminds me so much of the dynamic and unpredictable nature of the weather. Storms rise and fall, winds shift, clouds gather and dissipate. I’ve noticed healing for one patient never fully matches another. Each has its own tempo, rhythm, and forecast. Like the weather, each patient faces moments of calmness that tumbles into turbulent waters and downright hazardous conditions. Despite my best efforts with other medical staff, the patient dies. 

Yet, in holding the hands of those dying, I recognize that the same question of who I want to be is not too far different from what they long for — peace in coming to terms with their true self. In those moments, what matters is being a sturdy rudder through life’s storms as I help another navigate back to themselves. Often times, moments before succumbing to the unknown that awaits us all. Between life and death, I feel that the real answer to the question posed earlier is simple: becoming part of the interconnected nature of love itself. As Johann Wolfgang von Goethe wrote concerning the weather, I am reminded how the process of forming the mystic tie is expressed in his writing:

“Above all we must remember that nothing that exists or comes into being, lasts or passes, can be thought of as entirely isolated, entirely unadulterated. One thing is always permeated, accompanied, covered, or enveloped by another; it produces effects and endures them. And when so many things work through one another, where are we to find the insight to discover what governs and what serve”

— Goethe, Toward a theory of Weather (1825)

As I continue practice as both a physician and Mason, I recognize that the Great Architect cares less about absolute answers and more about our willingness to engage the process. To stand in the storm and be present with our imperfections. Life is a journey to the edge. A place where our current framework stretches and dies to allow transformation to what lies beyond in this world and in the next. In my journey, I am realizing that being a Mason and being a good doctor are inseparable. Both demand trust in process, courage in the storm, and patience for the unfolding. The Craft has taught me that transformation often comes when I surrender to the turbulence, when I allow myself to be pulled into the energy of change. Like weather shaping the land, the process shapes my soul.

It is perhaps the great irony that the deepest questions of life are often found not through philosophical debate or discussion, but through weathering the storms of life in community and near death. To face the abyss and darkness that life holds through the powerful forces of nature defines the shared experience of all human beings. The answer is found in the mere act of choosing to live and hold tightly through life’s storms as one shared substance and brotherhood.

“May wisdom shine through me. May love glow in me. May strength penetrate me. That in me may arise a helper for humanity. A servant of sacred things. Selfless and true.”

— Rudolf Steiner

Written by: Bro. Jonathan Kopel

 

Bro. Kopel is a MD PhD in his neurology residency in Washington DC. He is a member of Potomac Lodge #5 and Benjamin B. French Lodge #15 of the Grand Lodge of the District of Columbia, Washington, DC.

Samuel Lloyd Kinsey